The Website of Writer Caleb Wilson


  • What I’ve been reading

    A few months ago I rewatched Starship Troopers, which was great as a satire but not great as science fiction. I was in the mood to read some of the good stuff. Good thing I have a bunch of books sitting around (on shelves, in front of shelves, behind doors, etc) for this exact situation!

    First was Adrian Tchaikovsky’s Final Architecture series. Gripping and fun — I read the whole trilogy one after the other and my interest never flagged. Really good modern space opera, with all the stuff you want: weird planets, space battles, and wonderful aliens. (The Unspeakable Aklu is the best.)

    Then I read Tom Toner’s Amaranthine Spectrum series. Another trilogy, which had slipped entirely beneath my radar when it came out a bit over a decade ago. I can’t help but feel that the bland covers and the title of the first in the series (The Promise of the Child, which is a cool quote if you recognize it, but kind of incomprehensible if you don’t) didn’t do this series any favors. It’s awesome and mindblowing. One of the most complex and fascinating far-future histories (12,000 years in the future!) I can think of. It has a slow start, but that’s necessary so the reader isn’t overwhelmed. The places it eventually takes you are wild.

    I read Tom Holt’s Walled Orchard books (Goatsong and The Walled Orchard together in one volume. They’re about Eupolis, a contemporary and rival of Aristophanes. It was interesting, to say the least, reading a book about how comedy speaks to power in a crumbling democracy during Jimmy Kimmel’s silencing and unsilencing. I hadn’t read any Holt before, only a fair amount of K. J. Parker. I’m telling you, it would have been totally obvious that Parker was Holt it anyone had compared the voice in these early books of his with the later Parkers. So clearly the same voice…

    Then I read W. G. Sebald’s The Rings of Saturn. It instantly became of my favorite novels. Stunningly good, and oddly gripping, though it would seem by description to be glacial. The ideas are so interesting that you just have to keep reading to see what thoughts Sebald will connect up next, and how. At times it reminded me of Ligotti.

    Then I read a book that made the Amaranthine Spectrum’s 12,000 years seem like the blink of an eye. I’m talking of Olaf Stapledon’s The Last and First Men, in which 50,000 years can pass in a sentence (or, towards the end of the book, millions of years). I dearly loved it, despite some occasional creakiness or silliness. Truly one of the greatest imaginative works I’ve read. It really cheered me up, in these bleak times, by reminding me that not only is this government a blip, but this country is a blip, and this civilization is a blip, just as this species is no more than a blip in cosmic time. Maybe what comes next will do a better job of things!

  • Working on the logic

    I’m going back over the last few chapters to iron out some plot problems. Little incongruities, mainly, but that’s what this draft is for (I’ve decided), getting the logic of the story working. The next draft is for polishing the prose which involves, in this project, cutting away everything extra. Minimalism is the goal, which it isn’t normally for me. The funny thing is that I’m willing, in the final polish, to cut away some of the connections so that it just starts to not make sense, but I do want it to have made sense at some point? If that makes sense? Who knows.

  • Chapter Done

    I don’t absolutely love it! But at least the things that need to happen are happening in the right order now, which is enough to let me move onward. I’m hoping the next part won’t be this difficult, and maybe it won’t.

  • Slow Day

    Very minimal progress. Our car broke down yesterday and I was a bit anxious waiting to hear from the mechanic (I now know they didn’t get a chance to look at it today and it’ll be tomorrow) which didn’t make for great concentration. I wrote a few lines. Eventually I’ll get tired of posting every single day that this chapter isn’t done and just finish it, I hope.

  • Chipping Away

    at this block. I’ll get this chapter finished eventually! Maybe even tomorrow. The next few I’m projecting to go more quickly but I guess we’ll see when we get there. There is no hurry (except maybe to finish this book and get it out there before the publishing industry collapses).

  • A speck of progress

    Just two tiny new paragraphs, but I’m happy.

    (Can’t stop thinking about JR, by the way. Part of me wants to dive directly into Gaddis’s even longer first novel (The Recognitions) but that would be silly, right? I am going to read a long, dense, everything novel though, because that’s where I still am.)

  • Character Introduction

    I mentioned being stuck on this chapter, well, I thought it might be useful to figure out why. Thinking for just a few minutes I came up with one possible reason, which is that this chapter introduces a character who I need to develop more fully over the course of this draft. So maybe I was aware of this chapter being important, and didn’t want to botch it? But then I remind myself it’s okay if I botch it because this draft doesn’t have to be perfect either just better overall than the first draft.

    Anyway, the character introduction is fine. I’ll make it better on the next pass. This time through I’m filling in the plot gaps and rearranging stuff, next time around I’ll start polishing the prose more carefully. Onward!

    And hey, let’s make this a book diary too. This morning I finished JR by William Gaddis, which instantly popped into my pantheon of favorite novels. It took a old-fashionedly huge amount of attention (I read it and nothing else over the last two weeks) but was totally worth it. It really makes me resent attention-dividing and -draining social media, how they’ve made a masterpiece like this pretty much obsolete because of how inaccessible it feels to dip into. But please read it anyway, so I have someone to talk to about it! There are some of the funniest, darkest jokes I’ve ever read in these endless dialogues, and the plot is hilariously bonkers and also weirdly timely (as it probably always will be, as long as capitalism exists).

  • Revising

    At the end of last year I finished a draft of a follow-up to my novella Polymer. Polymer was both very weird and also weirdly easy to write, and it’s been pretty agonizing that I haven’t been able to catch that same wave of inspiration to complete Violetgold.

    But I’m chipping away at it. Little revelations now and then are keeping me going. I want to get back into the habit of working on it every day, so I’m going to try to write a post here after each revising session to say how it went. Won’t necessarily be that interesting, but if you happen to feel like following along as I do this, feel free!

    I got back from a few weeks of travel yesterday, and this morning typed up the few pages I handwrote on the road. This chapter has been something of a block to me and I’m not totally sure why, but I think I can climb over it soon.

  • In case I am crushed under a pile of books…

    There’s the Golden Age mystery newly translated from Japanese, the book about Edgar Allan Poe and the “cosmic flaneur” that I thought might be related to the novel I’m revising (and isn’t, really, but is interesting), the extremely weird novel about a tiny person, the nonfiction book about how different people experience a walk around a city block, (what is likely) the oldest novel which I just started yesterday, and now, today, two brand new books come into the library that just jumped to the head of the queue, Francis Hardinge’s new fantasy, and Robert McCammon’s new Matthew Corbett book…

  • Book diary: Beware of Pity

    I read an old copy of this, which was very pleasant. The book itself is wild; Wes Anderson took some of the structure and plot for Grand Budapest Hotel, but not the really twisted part. Current mores make the narrator of the story (not the frame narrator but the one in the story he tells) much more of a jerk than I think Stefan Zweig intended. The story is gripping, anyway, an internal melodrama.

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